By the time we wrapped our last shooting day, we had collected over 300 hours of footage. Lungs shouted for justice and moments later filled with teargas. A father baked cookies during a moment of peace. A police chief and a mayor cited lack of data. Our creative team quickly realized we had several possible...
“The Challenge Is Balancing Tone”: Director Mark Pellington
The communication challenge in executing The Last Word was thematic. With issues of aging or mortality, the challenge is balancing tone. That is achieved by communicating to everyone (cast, crew and, in turn, the audience) the specific tone. We tried keeping the story human and offbeat, making it emotionally inclusive, and earning the emotional payoff...
Profound Communication Only Happens When There Is Persistence
I often ask myself, how does each of us weave our own responsibilities into the pattern of history? How can I tell stories about human rights and the quest for justice yet engage people who are uninterested or apathetic? And the answer has always brought me back to this idea of the persistence of vision....
I Want the Viewer to Feel Totally Immersed in My World
For me God’s Own Country is an investigation into authenticity of emotion and landscape. Having grown up on the same hillside where the film is set, it was critically important to me to communicate what this very specific landscape not only looks like but how it feels, sounds, tastes, smells. The wind, the cold, the...
“Basically What You’re Asking for Is Faith”: Director Michelle Morgan
For me, the greatest communication challenge that I encountered while working on my film happened during the prep phase, where I was still scrambling to raise funds and cast my leads. This was my first feature and a lot of people just weren’t sure of me yet. And short of surgically implanting someone into my...
